Mind the Gap

Julie Hiromoto

Continuing our series on the intersection of beauty and sustainability, Julie Hiromoto of Skidmore, Owings & Merrill reflects on her retreat with Interface and fellow architects when these thought leaders discussed how to close the gap between sustainable design and beautiful design. This is the second blog in the series.

In March, Interface, working with Nadav Malin of BuildingGreen, invited a group of architects from small and large practices across the U.S. to warm and sunny San Diego. Our task was to explore the question of why green buildings are not usually considered beautiful, and conversely, why the sexiest buildings are often not very sustainable. What is good green design and why isn’t there more of it? Unlike a typical conference center, our meeting room was enclosed on two sides with floor to ceiling windows facing the water, with a covered boardwalk as breakout space. While we talked, the sky changed colors, and the sun beckoned us outside after a long and relentless winter. Our hotel was located on a private, man-made island, landscaped to resemble a lush Southeast Asian paradise. Despite the irony of it all, or perhaps because of it, the discussions were lively, and we powered through the two and a half days. What an appropriate location to tease out our collective thoughts on this complex topic, as we earnestly worked together to close the gap.

As designers, we craft a vision for the environments in which we live, work, and play. Good design is mindful of the sensory experience in and around these spaces, whether visual, aural, or tactile; old or new; high tech or natural. The decisions we make range from broad sweeping concepts to minute details. We specify products that are included in systems that, in turn, complement other systems. They serve a particular use and group of people in a particular environment. Our intentions are constrained by time, cost, codes and other feasibility questions. On each project, these choices are based on our own values, those of the client, and the communities the project will serve. Our success depends on aligning the project goals with these values.

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Green must be a part of good design. As architects, we have a responsibility for the health and well-being of building occupants, the community and the environment. Greater energy and water efficiency requirements are making their way into building codes and design criteria. Owners are gaining awareness of financial incentives and savings. Health concerns are gaining traction as architects advocate for product transparency through grass roots initiatives like the Health Product Declaration or more established advocacy and education through the AIA’s Design & Health Leadership Group. But along the way, in our scientific pursuit to validate high performance design strategies, did we lose sight of beauty? Are we mired in the myriad charts, graphs, facts and figures used to justify and validate our ideas? Will we have better results realizing our sustainable strategies if instead we promote beautifully integrated solutions with narrative?

How do you define beauty? Countless philosophical and scientific treaties have been written on this topic, but design sensibility is difficult to validate. Beauty, pleasure, and inspiration are subjective; to one person a space may be ideal, to others it may fall short, but aesthetics cannot be cast aside as a frivolous amenity. This is the soul and life-blood of our work. The delight and experience of a space causes us to linger or smile. A unique sense of place makes a building special and memorable. These feelings motivate us to maintain and restore our homes, workplaces, community centers, schools and cultural spaces. The longevity of our architecture is the real lasting sustainable impact of the watts/square foot and liters/day savings. Even if technical advances help us achieve better performance metrics, demonstrated improvements in the buildings we construct and cherish today will build a foundation for further advancement in the next projects. Rome wasn’t built in a day, but it’s still there!

Editor’s note: This blog was originally written before the Living Future unConference in May when the definition of design values continued with an interactive discussion between Julie, Joann Gonchar (Architectural Record), Nadav Malin (BuildingGreen), and Susan S. Szenasy (Metropolis) on the topic of Connecting the Dots: Beauty, Sustainability, and the Occupant Experience. It was held for publishing to be included with our blog series on the intersection of beauty and sustainability.

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Posted in Category Design Inspirations, Sustainability | Leave a comment

The Intersection of Beauty and Sustainability: Twitter Chat Recap

To kick off our latest blog series on the intersection of beauty and sustainability, design and sustainability gurus Lance Hosey of RTKL Associates and Julie Hiromoto of Skidmore, Owings & Merrill joined our own Vicki deVuono, VP of Creative, and Lindsay James, VP of Restorative Enterprise, in a live Twitter chat. What unfolded was a thought provoking discussion in bite-sized nuggets – 140 characters or less, of course.

@Julie_Hiromoto began the chat by addressing the balance of sustainability and beauty. She tweeted:

  • Design excellence has always been a part of our practice, our ethos.
  • As a Designer you must always remain true to aesthetics.
  • We work to integrate green building performance criteria within the design intent. Sometimes this is a challenge.

The conversation later evolved to address the core concept of Interface’s Human Nature collection – the belief that where we create inspires what we create. @LanceHosey chimed in to answer the question: Should designers focus on the mental, emotional and physiological impact end users experience vs. their own style?

  • Designers often design exclusively for vision, not for the other senses.
  • Architects aren’t trained in visual literacy. Courses such color theory aren’t required in most design schools.
  • We think of great design as art, not science or something that results from diligent study.
  • The more we learn about the mathematics of attraction, the mechanics of affection, the better design can become.

The chat concluded with a discussion on biophilic design. Lance cited examples of historical buildings that employed biophilic principles, and Julie closed the discussion with the following question regarding implementation of green building practices:

  • How can we encourage our industry to continue striving towards these goals by positively encouraging all progress?

Find the entire chat, including all questions and responses, by searching #IFinHumanNature and scrolling to the tweets posted on July 10.

Lance and Julie, along with other sustainability leaders, will continue this discussion over the next few weeks. Stay tuned for more!

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New Direction. Fresh Start.

Jean Nayar

A new corporate headquarters facility serves as the foundation for a culture change that has driven Biogen into a new era of growth

When George Scangos took over as CEO of the biotech giant Biogen in 2010, he brought with him a bold new vision that laid the foundation for a new phase of explosive growth. “Coming into the company, he hoped not only to launch three to four new products over the next three years, but also to change and improve the culture of the company,” says Ed Dondero, director of real estate and planning for Biogen. “Among the steps he took to move the company into a dynamic time was to change the way our people work to reflect what he estimated us to become—a rapid-growth company.”

Unfortunately, the design of Biogen’s headquarters building in Weston, Massachusetts, contrasted with Scangos’ vision of how the company’s employees should most effectively work. So he undertook an effort to locate a new site and design a whole new headquarters facility that would take the company into a new era. And the new 507,000 square-foot, multi-structure headquarters and R&D facilities completed last fall have been instrumental in driving the culture change that is taking Biogen to a higher level of productivity and growth. “His idea for changing the culture turned out to be spot on,” says Dondero.

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Biogen Research & Development designed by NELSON. Photography by Halkin Mason Photography.

Designed by the Boston office of the global firm NELSON, the new headquarters facility promises to provide Biogen the flexibility it needs to readily adapt and change as it continues to evolve. It also facilitates the collaborative, top-down/bottom-up approach to working that Scangos envisioned. Yet, its success, says the facility’s lead designer, Micheal Bourque, can ultimately be attributed to the interactive approach through which it was developed. “Ed Dondero initiated a pilot project to test some of our concepts, and we learned that we got a lot wrong,” says Bourque. “It wasn’t an inclusive process for the employees, and it turned out that the layout and major circulation ideas didn’t work for them and that going completely to a desking system was too radical for the Biogen culture.” So they teamed with ARC, a change management division of Steelcase, and undertook in-depth interviews through all levels of the company along with an employee town hall session that enabled employees to participate in the development of the design. “The process became educational for the employees and with the feedback we received on concepts developed through the interactive design process, we were able to move forward full steam ahead,” says Bourque.

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Biogen Research & Development designed by NELSON. Photography by Halkin Mason Photography.

Ultimately, the new headquarters spaces are divvied up between two new facilities—a 200,000 square-foot research and development facility and a 307,000 square-foot office space for general administrative functions, such as human resources, legal, finance, and IT. These are situated in an urban campus context in downtown Cambridge and adjoin two historic buildings that are also part of the headquarters complex and house a community lab and training center. The end results for the new buildings are open-plan office spaces with plenty of natural light for everyone, including the CEO. “We thought we might have 20 percent enclosed space, but instead we wound up with completely open work areas with gestures of boundaries,” says Bourque.

The workspaces are defined with a desking system that was customized for a measure of privacy with 42” high panels. “A modified, more open panel system was definitely preferred,” says Bourque. As a trade-off for so much open space, the designers developed plentiful huddle rooms, a collection of enclosed spaces with as many seats as there are desk seats. “These are unscheduled two- to six-person nooks or team rooms that people can duck into for impromptu meetings,” says Bourque. Each building also contains different shared elements, such as a cafeteria, daycare space, and fitness center, which draw employees housed in one facility to the other and keep people interacting.

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Biogen Research & Development designed by NELSON. Photography by Halkin Mason Photography.

In higher density open spaces, incorporating elements that can absorb sound are critical to maintaining a viable acoustic environment for working. Among the elements that support proper acoustics are a white noise system, fabric-covered panels, and carpet. The choice of carpet tiles from Interface was also critical in physically defining work zones and enabling the space to be adaptable. “Because the space needed to be flexible, we opted to install a 4” raised floor with electrical and data systems running beneath it,” says Bourque. “This allows changes to be made overnight and steered us toward selecting the carpet tile, which is equally flexible, as flooring.”

Even the color scheme of bright blues, greens, and reds, which is evident on walls and many of the carpet tiles, reflects a new kind of energy that now brims throughout the office spaces. The variegated carpet tiles also enabled the designers to flexibly define ever-changing work areas with minimal expense and fuss. “In addition to the huddle rooms, we created what we call ‘cloud areas’ that are easy-to-assemble and easy-to-move 10’x20’ or 20’x20’ enclosed rooms. A concentration of carpet tile in a single color gives employees a cue as to where these spaces are located,” says Bourque. “The fact that the carpets are sustainably manufactured is a bonus,” adds Dondero.

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Biogen Research & Development designed by NELSON. Photography by Halkin Mason Photography.

So what is the upshot of the inclusive design process in the new headquarters of the second largest biotech company in the world? One measure of its success, says Bourque, is that decisions are being more efficiently made in an unscheduled manner, which was reported to the design team in an informal post-occupancy survey and corroborated by the fewer documented bookings of the large conference rooms. Another is the positive reception of the space by employees, says Dondero. “At the start of the process we ran a survey and found that only 10 percent of the employees were in favor of a more open-plan concept,” he says, “after 90 days of occupation, 92 percent were either neutral or favorable toward the new space.”

With such a dramatic culture change, it may come as little surprise that the company is now also experiencing the unprecedented growth its new CEO envisioned.

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Beautiful Spaces Inspire Beautiful Thinking. It’s Human Nature.

Day One of NeoCon 2014: The unveiling of our Human Nature™ Collection at our showroom in the Merchandise Mart and at our permanent Chicago showroom on North Wells Street.

In designing our showrooms, we built upon our belief that beautiful ideas are inspired by beautiful surroundings. Using our latest carpet tile collection, Human Nature, we created a space built by humans through imagination, a creative element that separates us from other species.

We believe that in these challenging times we need more creative and systemic thought applied to the biggest problems facing the globe. And while nature is a great teacher, it’s not a short-term engagement. The more we internalize the idea of natural inspiration, the more sophisticated the result becomes. We at Interface hope to stimulate such inspiration and contribute to a more sensory environment.

For those who can’t be at NeoCon with us, we want to bring you an inside look at our spaces at NeoCon 2014.

Sensory Stimulation through a high degree of tactility not only feels good, but in proper proportions is also a significant contributor to a healthier environment.

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Natural Variance is non-predictable change in an organic way. It’s more than a pile of pebbles or a field of grass. An irregular, asymmetrical path through a space clearly demonstrates a biomimetic influence. With its skinny plank format and textural shifts, the Human Nature Collection offers a multitude of design options. Use one product alone in a seamless installation or mix products and colors to create unique designs that fire the imagination.

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Man as a Part of Nature, Not Apart from Nature. How would Nature design a floor? More importantly, how should humans think about designing “floors” that mimic a natural system? Not just looking like a natural material but moving like one. At Interface we believe that working in spaces that are a designed, abstracted interpretation of nature can stimulate our senses–and thus what we create–in the same way that nature does.

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“I love how your product is always one with nature, which stays true to Ray’s vision.”
- Rose Tourje, founder and president of Anew

 

 

Learn more about Human Nature, or stop by during NeoCon June 9-11 | 9 am – 5 pm | Merchandise Mart Suite 10-136 & our permanent showroom across the street at 345 North Wells Street, 3rd Floor.

#IFinHumanNature

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What is Human Nature? A Beautiful Foundation for Beautiful Thinking.

In a world that never sleeps—where information always flows, boundaries blur, transparency reigns and the sound of silence ceases to exist—our instincts prompt us back to nature, with its subtle yet clear cues on how best to live and work.

Look around at the natural world around you and what do you see? What do you feel?

Perhaps it’s a bright beam of the sun as it rises, or the ombre-indigo hue of the sky as this same sun sets, naturally inspiring us to speed up or slow down. Or maybe it’s a rolling, open meadow as an ideal setting for groups of people to gather.

Possibly a quiet respite, or an intimate space perfect for private reflection, or the boundless ocean with views as vast as the sky where our creative imagination can soar.

 

Whatever aspect of Nature this might be, it will resonate with some inner, unseen aspect of our own human nature, allowing our internal rhythms to become in harmony with the organic environment we see, hear, smell and touch.

When seeking inspiration we always ask “how would nature create an interior floor?” We don’t believe it would be exclusively made up of hard surfaces such as wood, bamboo or stone. We also don’t believe it would be uniform in any manner. Instead, it would be variable, composed of soft, hard or mixed materials.

It wouldn’t be nature growing wild and unruly to overtake interior space, and man wouldn’t be controlling natural elements. These two must co-exist—humans and nature together. And it’s important to note there is noise in nature but also a calming silence.

It’s our nature to dream.
To build. To play.
To aspire.
To adapt.
To look toward the sky.

As our limits continually stretch in a world that seemingly becomes smaller, people working round the clock and around the globe will invariably seek a primordial sense of alignment with nature to feel at home and at ease in their environs.

Shape-shifting times call for inspired spaces that enable us to be connected, yet distinct, like colors in a rainbow. Spaces that reflect our ability to adapt and bend and flex to meet today’s constant changes assure our ability to survive and thrive.

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And if such surroundings can at once communicate the subtlety and richness of nature, yet change and evolve as we do, they bring out the very best in our complex and glorious human nature.

Want to learn more about Human Nature? Visit us during NeoCon in Chicago June 9-11 | 9 am – 5 pm | Merchandise Mart Suite 10-136 & our permanent showroom across the street at 345 North Wells Street, 3rd Floor

#IFinHumanNature 

Learn more about Human Nature.   facebook_web   instagram_web   twitter_web


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