2018 design spotted at Clerkenwell Design Week in London and NeoCon in Chicago featured a modern mash-up of both strength and softness. From colours and patterns to materials and usage, exhibits reiterated contradictions we’ve been seeing that reflect society’s balance of high-tech vs. low-tech.
Clash of colour
Intentionally awkward colour harmonies continue to be a popular design trend around the globe. Think muted pastels and chalky blues paired with strong, acidic shades, or soft mustards and pale pinks adjacent to singular pops of colour.
Scandinavian Spaces at NeoCon
Very Good & Proper at Clerkenwell Design Week
Knoll at NeoCon
Scandinavian Spaces at NeoCon
Designtex at NeoCon
Dark, moody colours are also on point, including deep burgundy, malachite and of course, black. These darkened colour palettes paired with unusual brights have been worked into overall interior schemes or on furniture and other materials.
Material matters
Material trends yield a continued emphasis on texture, format and material; delivering a unique mix of smooth and modern geometry alongside organic texture. Both Clerkenwell and NeoCon featured an array of cut-outs and geometry, as well as crafted, handmade materials.
An emphasis on positive shapes and negative space create visual intrigue. Taking reference from the unique qualities of current colour palettes, we saw these ideas expressed with colour blocking and overlapping contours in a mix of transparencies.
Designtex at NeoCon
Agar Design Company at Clerkenwell Design Week
Designtex at NeoCon
Maharam at NeoCon
Designtex at NeoCon
Stone and terrazzo-esque finishes were seen throughout – in both modern and classic stylings. With a special emphasis on man-made and sustainable mixed materials, “new marbles.”
Table at Solus showroom at Clerkenwell Design Week
Camira at Clerkenwell Design Week
Camira at Clerkenwell Design Week
Under the influence
Many of the designs featured were derivative of Scandinavian style, but with more unusual palettes and textures. In the past, trends in Europe tended to be ahead of those in the United States. But as American brands are becoming more global (think Herman Miller’s recent stake in HAY), European influence is seen congruently with what’s happening overseas. Aesthetics at both Clerkenwell and NeoCon mirrored trends seen at Milan Design Week and ICFF in New York.
As the world continues to become “smaller” through the reach of technology, so does the spirit of the design world. We’re all connected and we all have influences on one another. There are no boundaries – and no limits.